Birds: November 1897
John James Audubon
Page 2 of 2

"The store at Louisville went on prosperously, when I attended to it; but birds were birds then as now, and my thoughts were ever and anon turning toward them as the objects of my greatest delight. I shot, I drew, I looked on nature only; my days were happy beyond human conception, and beyond this I really cared not." [How like Agassiz, who said he had not time to make money.] As he could not bear to give the attention required by his business, his business abandoned him. "Indeed, I never thought of business beyond the ever-engaging journeys which I was in the habit of taking to Philadelphia or New York, to purchase goods; those journeys I greatly enjoyed, as they afforded me ample means to study birds and their habits as I traveled through the beautiful, the darling forests of Ohio, Kentucky, and Pennsylvania." Poor fellow, how many ups and downs he had! He lost everything and became burdened with debt. But he did not despair for had he not a talent for drawing? He at once undertook to take portraits, of the human head divine in black chalk, and thanks to his master, David, succeeded admirably. He established a large drawing school at Cincinnati, and formed an engagement to stuff birds for the museum there at a large salary.

     

"One of the most extraordinary things among all these adverse circumstances" he adds, "was, that I never for a day give up listening to the songs of our birds, or watching their peculiar habits, or delineating them in the best way I could; nay, during my deepest troubles, I frequently would wrench myself from the persons around me and retire to some secluded part of our noble forests; and many a time, at the sound of the wood-thrushes' melodies, have I fallen on my knees and there prayed earnestly to our God. This never failed to bring me the most valuable of thoughts, and always comfort, and it was often necessary for me to exert my will and compel myself to return to my fellow-beings."

Do you not fancy that Audubon was himself a rara avis and worthy of admiration and study?

Such a man, in the language of a contemporary, should have a monument in the old Creole country in which he was born, and whose birds inspired his childish visions. It should be the most beautiful work possible to the sculptor's art, portraying Audubon in the garb he wore when he was proud and happy to be called the American Woodman, and at his feet should stand the Eagle which he named the "Bird of Washington," and near should perch the Mocking Bird, as once, in his description, it flew and fluttered and sang to the mind's eye and ear from the pages of the old reading book.            — C. C. MARBLE.


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